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The Black Ordinary Zine

Issue 1 - 2025

Hattie Rothwell Watches Her Son on the Ranch

Updated: Nov 3

He drags, by tred-pale rope knotted 

around her belly, the heifer across the dirt. 

His mouth, rife with plum jam, 


threaded with scalped lavender stems, 

awash with a whistle loud enough 

to shoot up dirt from the heifer’s path 


onto his boots. I am of no mind 

to ask him where he’s taking her, to slaughter 

or mother, to shout Charley over 


the pigweed, the wagon splinter conceived 

and besotted by hens. I have no intent 

but to watch him tug at corduroy 


collar, to kick his spurs into milkweed’s 

gristle, to fiddle with his talisman, 

his father’s ring soldered to a holstein 


corded bolo tie. If I was generous, 

as I tend to be when the clouds are soldiered 

far from the sky, I’d say he’s the good 


of his father—a work strong torso, 

an unrefined dancer, tall enough to dust 

a ceiling if he strains. Though he has 


always been more of me—attached to every 

cough of land he’s ever owned. Too headstrong 

to leave. Just thick enough to stay.


Rothwell ranch, Dearfield, Colorado, ca. 1910s; courtesy of University of Northern Colorado Digital Archives
Rothwell ranch, Dearfield, Colorado, ca. 1910s; courtesy of University of Northern Colorado Digital Archives

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This issue of The Black Ordinary Zine is made possible by a 2024-25 Round II Inspiration Grant from ArtsKC.

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